Some of you may be interested to read this Dissent blog entry Chris Sellers wrote about Mexican President Peña Nieto’s proposed “Energy Reform” for that country, in the light of my own research into the recent history of Pemex’s environmental impacts.
Karl S. Bottigheimer, Early modern Europe, Britain, and Ireland.
Ruth S. Cowan, History of science and technology, U.S. history.
Elizabeth Garber, History of science, European social and intellectual history.
Robert Goldenberg, Jewish history, history of religions, ancient Greece and Rome.
Helen Rodnite Lemay, Medieval, history of sexuality, medicine.
Joel T. Rosenthal, Medieval history, Britain, social and family history
Fred Weinstein, History and Theory, Psychohistory, European History.
John A. Williams, South Africa, South Asia, expansion of Europe, European imperialism.
Judith Wishnia, France, women’s history, social history.
Prof. Chris Sellers has written a online blog entry for the journal Dissent, reflecting on recent industrial disasters in Texas and Bangladesh, and drawing on his edited volume Dangerous Trade: Histories of Industrial Hazard across a Globalizing World.
Prof. Wolf Schafer has won a residential fellowship at the American Academy in Berlin, a center for advanced study in the humanities, public policy, social sciences, and arts. This is the first time a Stony Brook faculty has won this prestigious prize. Prof. Schafer’s winning project, “Finalization and Failure: A Comparative Management Study of Big Weapons Programs in World War II,” will compare the Manhattan Project with equivalent German efforts.
The online journal Common-place recently released a special issue on “Music and Meaning in Early America,” which features the article “Partners in Time” by Prof. April Masten. Drawing on her new research, Prof. Masten discusses affinities between African American and Irish jigs, and the methodological challenges of interpreting the history of dance.
Prof. Sara Lipton acts as consultant for and appears in a new documentary, Jews & Money, released by Emmy-award winning filmmaker Lewis Cohen, which traces the age-old stereotype of the rich Jew, from medieval moneylenders to Nazi propaganda to international capitalism. The first showing is at the Atlanta Jewish Film Festival in February. Future releases include the JCCSF in San Francisco, and a possible New York venue.